The most recent episode of one of my favorite little podcasts, 99% Invisible, delved into the Symphony of Sirens, a 1923 composition by Arseny Avraamov that used the sounds of everyday Soviet life — factory sirens, barge foghorns, soldiers’ footsteps, artillery fire, workers’ songs, steam whistles and proletarian shouts — to create something beautiful.
The episode reminded me of a 1920s Soviet film I first saw in a world cinema class I took in college: Man with a Movie Camera, the brainchild of Dziga Vertov. The groundbreaking film offers a glimpse into the workaday lives of the people in 1920s Russia, and does so in a way that is both fascinating and delightful.
I highly recommend you check out both.

